Typically Australian Quilts

Nancy Stinson
The padding consists of layers of pieced used clothing including; part of machine knitted child's wool dress (Nancy had this when she was 3 or 4); part of father's cardigan; parts of 'neck to knee' bathers in light green and dark green wool. The padding is all hand pieced and machined around the edge. There have been 2 wholecloth cotton covers to this quilt. It is one of a pair.
1870 x 1020mm
Muriel Hartmann
Old jute wool pack opened out and joined together selvedge to selvedge. Ends bound with recycled curtain material.
1550 x 1321mm
Tasmanian Museum and Art Gallery
Cot quilt of mixed textiles and techniques. Made in sections and stitched together possibly with some padding. It features embroidered and appliqued animals (cats, donkey, elephant, squirrel, birds, kangaroo, emu) and nursery rhyme characters. Materials are cotton, silk, wool, imitation fur. There is a black velvet patch with a cross stitch parrot and embroidered date and initials 'May 1925 AE'. The backing is woven self patterned curtain material. There is a ruffle around the edge in the same material.
1400 x 930mm
Wanda McPherson
Patchwork quilt made from pure wool suiting samples in shades of navy blue and brown. Quilt is constructed in 11 rows containing 11 pieces. Each piece is 14cm x 9cm. No padding. Backing is of mauve cotton with a floral pattern of closely spaces white/pale mauve flowers.
1480 x 900mm
Ruth Flett
Quilt is made of wool tailors' samples, each measuring 6 x 3 1/2 inches. The colours are predominantly navy and grey. Most pieces are striped but some more distinctly than others. Both sides are mad eof smaples, one side being mainly grey and the other almost exclusively navy. There doesn't seem to be another layer of material as padding. There is no added decoration. Made on a treadle sewing machine.
1703 x 1423mm
Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
Muriel Hartmann
Domestic Wagga made from sugar bags joined together and covered with army blankets. Machine construction. Patching evident. Sugar miller's brand visible on one bag: " M--AQUIN, 70lbs, --- SUGAR, BUNDABERG"
1753 X 1347mm
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm
Diana Garder
Grey woollen army blanket backing with multi-coloured pieces sewn in a random way; includes pieces of jumpers, socks, rugs with crochet flowers added etc. Quilt is a rectangular shape, the colours are mainly blues, pinks and maroon. Bottom third of quilt and part of one side are made from a striped rug, the remaining two-thirds are made from pieces of recycled clothing and decorated with crocheted flowers.
Annette Gero
Double sided quilt made from mainly rectangular pieces of woollen tailors' samples and suiting materials. It is machine sewn and there is no padding.
1000 x 940mm
Powerhouse Museum
"The quilt has been machine- pieced from rectangular swatches of men's woollen fabrics in shades of blue, grey and black, and in various weaves including stripes, checks, chevrons and spots. The swatches are offset at right angles to each other in such a way as to create strong zigzag bands of light and dark along the length of the quilt. The join at the corner of each swatch is marked with a hand-stitched cross in red cotton. The backing has been removed, showing the pinked edges of the suiting swatches. A yellow-brown piping band, possibly the remains of the backing, is sewn around all four sides." [PHM]
2080 x 1620mm
Annette Gero
Domestic Wagga made from wheat bags sewn together and covered with large pieces of material.
1400 x 1230mm
Annette Gero
Double sided quilt made from mainly rectangular pieces of woollen tailors' samples and suiting materials. It is machine sewn and there is no padding.
1670 x 1220mm
Joyce Lacey
Wholecloth utility quilt, the top made of good quality cotton printed with posies of pink, blue and green flowers and leaves, the backing of plain cream cretonne, with a flap of plain cretonne, coming over the top side. Padding is made from blanket and jumper pieces stitched to a blanket base. Cretonne has signs of wear, and the cream backing has some staining. Top and backing machine sewn.
1840 x 1220mm
Annette Gero
Machine sewn wholecloth quilt with padding of several layers of part army blankets. The cover has been made from fabric widths of 700mm. Machine quilted.
2100 x 1800mm
Art Gallery of South Australia
Patchwork crazy quilt in silks, cotton and velvet has an appliquéd golden brown velvet star with black points in the centre. All seams have embroidery, mainly herringbone or feather stitch. The outer border is a light tan velvet. Quilt has a variety of appliquéd and embroidered motifs, including horseshoes, tennis rackets, kettle, cross tombstone, butterflies, hearts and an emu. Backing unknown. Handsewn.
2025 x 2680mm
Griffith Pioneer Park Museum
Covered on both sides with corded floral chintz, probably originally curtains. Not attached to padding. Padding is worn grey blanket onto which has been stitched (with large running stitches) a variety of unpicked and part woollen garments, including a navy overcoat (with pockets), handknitted garment (possibly a singlet) and herringbone tweed skirt. The cover and lining are currently separate, outer stitching unpicked by the donor for washing prior to donation and not re-attached.
1780 x 1040mm
Annette Gero
Machine stitched quilt with the top constructed from men's woollen suiting pieces.There are many repairs and the cream patches are recent additions. The padding is layers of blanket pieces. The quilt is very heavy.
1800 x 1600mm
Griffith Pioneer Park Museum
Quilt, machine sewn, has one side of floral cretonne, red floral on cream background. Other side is of fawn cotton knit, irregular shaped pieces with a mixture of straight and curved edges, edges are turned under and the top stitched together. Padding appears to be old blankets, possibly with other material sandwiched in between as it is lumpy.
770 x 340mm

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