Wholecloth Quilts

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Alexandra Magloveris
Wholecloth quilt in satin, crimson one side and yellow on the other. Hand quilted in an all over pattern. The padding is wool.
2300 x 1700mm
Muriel Hartmann
Domestic Wagga made from sugar bags joined together and covered with army blankets. Machine construction. Patching evident. Sugar miller's brand visible on one bag: " M--AQUIN, 70lbs, --- SUGAR, BUNDABERG"
1753 X 1347mm
 Hilary Williams
Wholecloth quilt of fine cream homespun embroidered with stranded cotton in 2 shades, brown and buff, with gold highlights. It is a cross stitch floral pattern which was stamped on the homespun. The self coloured quilting is mostly in straight lines with a fern design border. The quilt has a bound edge.
2460 x 1670mm
Stavroula Iouannou
Wholecloth quilt with both sides in a cotton floral material with a dusty pink background. All over hand quilting is in loose parallel lines.
Stavroula re-covered this quilt with this material about 20 to 25 years ago. Originally the quilt had a yellow gold satin top with yellow gold cotton backing. Padding is cotton wadding.
1900 x 1600mm
National Trust of Australia (TAS)
Child's quilt, reversible, top and ruffle of cotton patterned with pink and off white roses on a green background. The reverse has had a large piece of red and green paisley printed cotton hand sewn over the rose print. Machine stitched in rectangles in 5 rows with pink cotton. The padding is cotton or kapok.
1150 x 840mm
Stavroula Ioannou
Rose pink satin wholecloth quilt with lighter pink cotton backing. Hand quilting forms large diamond pattern in the centre with a border of parallel lines.
2000 x 1800mm
Christine Taylor
Autograph quilt consisting of 372 x 100mm calico squares with signatures worked in green thread. There is a scalloped border. The backing is green paisley flannelette and the padding is an old twill sheet.
2200 x 1840mm
Mary Robertson
Domestic Wagga made from 3 bags joined (the bags feel lighter than the jute wheat or flour bags) and covered back and front with floral cotton featuring large roses in red and oranges. The cover is machined.
1750 x 840mm
Powerhouse Museum
"A quilt or coverlet of natural cotton sheeting with appliqueed motifs cut from a variety of crimson cotton damask. The quilt is hand sewn and nearly square and has a 12 cm border made from the same crimson damasks. The applique motifs consist of a range of hexagons, rosettes, flowers, hearts and stars that radiate outwards from a large centrally placed star shape. All are the same shade of crimson red which suggests they were dyed in the same dye pot. The fabrics are now quite thin and soft which suggests that the quilt, or the fabric it was made from, was well used." [PHM]
1960 x 1950mm
Dulcie Williams
Wholecloth quilt, the cover made of blue and red paisley cotton cretonne, and filled with feathers. The cover is reversible. The machine quilting is a simple pattern of 2 diamonds, one within the other, in the centre, with 3 rows of stitching around the edge of the quilt, forming a wide border.
2033 x 1474mm
June Brown
Rectangular cot quilt of green floral cretonne with pleated frill. Machine made. The backing is the same material. It is tied not quilted. The padding is old woollen jumpers.
1050 x 610mm
June Brown
Wholecloth quilt made from rayon/damask style fabric golden brown in colour with a raised stylised floral motif. Quilted to the self pattern of the fabric. Hand quilted, backing is of gold coloured fabric.
Cotton wadding showing through worn areas.
1810 x 1250mm
Melinda Smith
Wholecloth cover in synthetic rayon. Centre plain, drop slightly gathered, edging border is large saw tooth appliqued pieces in flannelette, striped seersucker, crepe de chine. Materials typical of the 30s through to the 50s. The appliqued triangles are chain stitched in yellow thread which also anchors them to the backing.
2450 x 1940mm
Bundaberg & District Historical & Museum Soc. Inc.
World' quilt of linen squares , autographed, embroidered in stranded cotton and the squares sewn together.
2000 x 2000mm
Romsey/Lancefield & Districts Historical Society
Wholecloth quilt made of royal blue satin, squares around a central panel. Seam lines are covered with a faggoting stitch. All names are embroidered in satin stitch, the central motif is hand painted. The border is quilted with a repeat scroll ing pattern in hellow thread, and edges are trimmed with a fringe of small pom-poms in burgundy, gold, blue and yellow, the colours mixed in each pom-pom. Quilt is backed with yellow satin cotton. Centre has embroidered: "Lancefield/ Presbyterian/ Sale of Gifts/ February, 1896'.
1880 x 1330mm
The Embroiderers' Guild of S.A.Inc Museum
4 Pieces of a patchwork quilt which was formerly a whole quilt. It is pieced in cottons in blues reds and browns in many prints. There are whole circles and pieced circles against a plain cream calico background. It is wool lined and is quilted. There are the initials 'A.B.' and '1828' on a central piece. The 4 pieces are various sizes.
West Tamar Historical Committee
Wholecloth quilt with both sides of floral cotton. The padding is thought to be hessian bags.
2060 x 1300mm
Anastasia Penklis
Traditional hand stitched Greek quilt, the top piece (in Greek a 'Stoffa') is of blue brocade with a gold pattern of roses and leaves. The border and backing are made from gold brocade woven with a daisy pattern (the same material as is in sister Ann Kyranis' quilt). The padding is cotton wool.
2100 x 1740mm

Pages