Quilt No.812QVM - Queen Victoria Museum and Art Gallery

Queen Victoria Museum and Art Gallery
Owner: 
Queen Victoria Museum and Art Gallery
Location: 
TAS Country
Maker
Maker: 
Minnie McLoughlin
Made in
AUSTRALIA TAS
Date: 
1881 - 1900
Description: 
Quilt has a centre panel of white velvet roses and green leaves with embroidered spider webs, on red velvet. Two side panels are in crazy patchwork in plain and patterned silks and velvets. All patches are edged with feather, herringbone or blanket stitch. Many patches are embroidered, including 'Minnie', 'Good Luck', birds, flowers, anchor, boat, fish, shell, spider web, crown,, 2 crossed flags, tennis racquets, Australian motifs including wattle. The centre panel has a row of ruched olive green ribbon each side and the whole quilt has a border of dark blue velvet. The padding is cotton...
History: 

The quilt was made by Minnie Lucy Violet McLoughlin in Tasmania about 1895. It was made for her trousseau and embroidery on patches includes hearts, linked rings, blue birds, initials and sea related motifs. It is believed that Minnie was jilted and in 1915 she gave the quilt to Elsie Whelan on her marriage to Charles Brown. Elsie was the daughter of Minnie's friend Annie Whelan. Elsie and Charles gave the quilt to their son Terence in 1942 on the occasion of his marriage to Beryl.
The Queen Victoria Museum and Art Gallery acquired Minnie's quilt in 1999 with the assistance of the Tasmanian Quilters' Guild and the Launceston Patchworkers and Quilters Inc.

Story: 

Minnie was born 28 August 1878 in Hobart to Joseph and Mary (born Woods) McLoughlin, their 6th child.

Related Quilts:

Christine Taylor
Autograph quilt consisting of 372 x 100mm calico squares with signatures worked in green thread. There is a scalloped border. The backing is green paisley flannelette and the padding is an old twill sheet.
2200 x 1840mm
Julie Bos
Allover pattern in woollen dress materials in blue, grey, navy, black and pink. Hand stitched. The owner suggests it was made in the 1950s or earlier. It is not used.
910 x 1250mm
Celia Dolley
Cotton scrap quilt with shapes of diamonds, strip and squares. The quilt has been repaired using machine zig zag in white cotton. There is no padding and the backing is calico.
2175 x 1625mm
Margaret Williams
Frame quilt with central square of fabric around which the borders or frames have been added in strips. The fabrics are mostly floral, a heavy weight similar to damask or curtaining. The colours are mainly beige, brown, green and red. The original backing was a red paisly design. A second backing, of red, brown and yellow leaves on white (possibly dating from 1930s), has been added at a later date. Quilt is bound with brown fabric.
2200 x 2000mm
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has a central patch of small rectangles and borders of half square triangles. Seamed construction. Side 2 is crazy patch in wools and cottons on to a backing material. There is one round segmented circle in the centre. Machine pieced and quilted.
2050 x 1610mm
Red Cliffs Historical Society
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm