Typically Australian Quilts

Mary Robertson
Domestic Wagga made from 3 bags joined (the bags feel lighter than the jute wheat or flour bags) and covered back and front with floral cotton featuring large roses in red and oranges. The cover is machined.
1750 x 840mm
Rozanne Andrew
Quilt, single bed size, made from reused clothing roughly handstitched on to a backing of a wool/linen blanket type fabric in green, cream and brown stripes. Clothing is fronts and backs of old jumpers, vests etc as well as opened out sleeves in red, brown and grey. They are stitched together in several layers with long stitches. Another top may have been intended to cover the stitched down layers of clothing.
1500 x 1040mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Elsie Roberts
Patchwork quilt has a centre of a square within a square, with rows of scraps added around it. The scraps are mainly cotton shirting fabrics and are cut in different sizes and shapes. The two long sides have a narrow red edging folded from the back. The other two sides have been 'bagged'. Filling is an unusual weave thought to be wool. Backing is a pink, red and beige floral cotton.
2080 x 1650mm
Joyce Lannin
Machine stitched quilt made from tailors' samples cut into squares. The colours are mainly greys, browns and fawns. There is no padding and the backing is a grey herringbone heavy woollen material with a white fleck. This is folded back to the front to make a 75mm border and finished with a dark grey braid where it meets the patchwork top. 1525 x 1225mm
The Pioneer Women's Hut
The quilt is constructed from machine pieced diamond shaped striped flannel materials. The backing is the same. The padding is not visible but is thought to be worn out woollen clothing, unpicked and ironed flat.
1520 x 970mm
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm
Diana Garder
Grey woollen army blanket backing with multi-coloured pieces sewn in a random way; includes pieces of jumpers, socks, rugs with crochet flowers added etc. Quilt is a rectangular shape, the colours are mainly blues, pinks and maroon. Bottom third of quilt and part of one side are made from a striped rug, the remaining two-thirds are made from pieces of recycled clothing and decorated with crocheted flowers.
Annette Gero
Double sided quilt made from mainly rectangular pieces of woollen tailors' samples and suiting materials. It is machine sewn and there is no padding.
1000 x 940mm
Powerhouse Museum
"The quilt has been machine- pieced from rectangular swatches of men's woollen fabrics in shades of blue, grey and black, and in various weaves including stripes, checks, chevrons and spots. The swatches are offset at right angles to each other in such a way as to create strong zigzag bands of light and dark along the length of the quilt. The join at the corner of each swatch is marked with a hand-stitched cross in red cotton. The backing has been removed, showing the pinked edges of the suiting swatches. A yellow-brown piping band, possibly the remains of the backing, is sewn around all four sides." [PHM]
2080 x 1620mm
Annette Gero
Domestic Wagga made from wheat bags sewn together and covered with large pieces of material.
1400 x 1230mm
Annette Gero
Double sided quilt made from mainly rectangular pieces of woollen tailors' samples and suiting materials. It is machine sewn and there is no padding.
1670 x 1220mm
Joyce Lacey
Wholecloth utility quilt, the top made of good quality cotton printed with posies of pink, blue and green flowers and leaves, the backing of plain cream cretonne, with a flap of plain cretonne, coming over the top side. Padding is made from blanket and jumper pieces stitched to a blanket base. Cretonne has signs of wear, and the cream backing has some staining. Top and backing machine sewn.
1840 x 1220mm
Annette Gero
Machine sewn wholecloth quilt with padding of several layers of part army blankets. The cover has been made from fabric widths of 700mm. Machine quilted.
2100 x 1800mm
Art Gallery of South Australia
Patchwork crazy quilt in silks, cotton and velvet has an appliquéd golden brown velvet star with black points in the centre. All seams have embroidery, mainly herringbone or feather stitch. The outer border is a light tan velvet. Quilt has a variety of appliquéd and embroidered motifs, including horseshoes, tennis rackets, kettle, cross tombstone, butterflies, hearts and an emu. Backing unknown. Handsewn.
2025 x 2680mm
Griffith Pioneer Park Museum
Covered on both sides with corded floral chintz, probably originally curtains. Not attached to padding. Padding is worn grey blanket onto which has been stitched (with large running stitches) a variety of unpicked and part woollen garments, including a navy overcoat (with pockets), handknitted garment (possibly a singlet) and herringbone tweed skirt. The cover and lining are currently separate, outer stitching unpicked by the donor for washing prior to donation and not re-attached.
1780 x 1040mm
Annette Gero
Machine stitched quilt with the top constructed from men's woollen suiting pieces.There are many repairs and the cream patches are recent additions. The padding is layers of blanket pieces. The quilt is very heavy.
1800 x 1600mm
Griffith Pioneer Park Museum
Quilt, machine sewn, has one side of floral cretonne, red floral on cream background. Other side is of fawn cotton knit, irregular shaped pieces with a mixture of straight and curved edges, edges are turned under and the top stitched together. Padding appears to be old blankets, possibly with other material sandwiched in between as it is lumpy.
770 x 340mm

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