Typically Australian Quilts

National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Dorothy Stevens
Utilitarian quilt. Padding consists of recycled hand knitted jumper pieces (mainly 3 ply crepe and 8 ply) tacked to a layer of cotton material with strong buttonhole twist thread. The top is a piece of cotton fabric. Machine quilted in rows approximately 70mm apart.
1827 x 1423mm
Mr. K.Green
Crazy patchwork quilt made from silk, cotton and velvet in pastels and rich dark colours with a wide border of dark burgundy silk velvet. Decorative embroidery stitches including straight, herringbone and feather edge each piece. Most pieces have embroidered motifs including crown, flowers, horseshoe and Australian motifs of wattle and emu. Date '1891' worked in cross stitch on one piece. The padding is wool and the backing dark red satin and these are joined by diagonal machine stitching in yellow thread.
1750 x 1100mm
Annette Gero
Double sided cretonne quilt, red floral one side, green floral the other. The padding is layers of blanket pieces and pieces of woollen clothes tacked flat. It is machine quilted in squares from the centre outwards.
1270 x 1060mm
Val Ireland
Utilitarian quilt. The padding is pieced used clothing and possibly reused blanket. The top and backing are machine pieced cotton scraps in a wide variety of pattern and colours.
1626 x 1601mm
Margaret Eisenhauer
Wholecloth quilt covered with floral cretonne both sides, deep pink and yellow flowers on a cream background. The padding is hessian/jute type bags joined.
One of a pair but the other quilt is larger.
1800 x 900mm
National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
The Pioneer Women's Hut
The top is a wholecloth piece of twill type cotton and the backing is a wholecloth piece of finer patterned cotton. The padding is a layer of pieces of used clothing stitched together, including part jumpers, some darned. These are inside an old folded blanket.
1540 x 950mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
The Pioneer Women's Hut
Single bed quilt made up entirely of hexagons in 'Granny's Flower Garden' pattern. The rosettes are made up of 8 hexagons and a central one. Native flower prints, including wattle, on a white background. Plain hexagons in white, yellow and blue form a scalloped border. Hexagons are hand stitched and the 2 layers are quilted in running stitch. The backing is a pieced sheet.
2400 x 1500mm
Mary and Max Robertson
Traditional Wagga rug made from 3 wheat bags joined along the long side by sewing with bag needle and twine. Machined twill cover was put on later in the 1960s. Originally no padding but now the bags are the padding. One of a pair(identical).
1790 x 1160mm
Val Ireland
Utilitarian quilt. The top and backing are machine pieced scraps of curtain material and clothing pieces. The centre is an old blanket and possibly clothing pieces.
2033 x 1525mm
Marion Coleman
Quilt made of Tailors' wool samples in stripes, checks and plain,, rectangles in different sizes machined together in strips. Colours are grey, navy, brown, light grey and cream. Lining or backing is of patterned cotton, in three layers as it has worn and been replaced. Machine and zigzag quilting.
1626 x 1271mm
Irene Pascoe
Utilitarian cot quilt. The padding is layered reused woollen materials, parts of old blankets, part overcoats. These are stitched together with string and knitting wools The top and backing are printed cotton. There is a frill all around and buttons have been used to anchor the padding layers to the outside cover.
1169 x 915mm
Rosemary Blake
Single bed quilt made from sugar bags stitched together covered with a ticking type fabric. This inner layer is then covered with muslin, dyed yellow. It is similar in construction to 80RB but much lighter as the sugar bags are lighter than the heavy jute potato bags.
1520 x 990 mm
Mary Robertson
Domestic Wagga made from 3 bags joined (the bags feel lighter than the jute wheat or flour bags) and covered back and front with floral cotton featuring large roses in red and oranges. The cover is machined.
1750 x 840mm
Rozanne Andrew
Quilt, single bed size, made from reused clothing roughly handstitched on to a backing of a wool/linen blanket type fabric in green, cream and brown stripes. Clothing is fronts and backs of old jumpers, vests etc as well as opened out sleeves in red, brown and grey. They are stitched together in several layers with long stitches. Another top may have been intended to cover the stitched down layers of clothing.
1500 x 1040mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm

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