Quilt No.768PHM - Powerhouse Museum
Description:
"A medallion style, handpieced cot quilt with dark and light checkerboard patterning of rectangular cotton printed fabrics, probably taken from a fabric sample book. Two frames of pink cotton strips printed with navy blue polka dots outline the central block and separate the outer rows of patches. The quilt is edged with narrow strips of brown floral cretonne and dramatic triangular 'flames' of red floral cretonne attached all around. The seams joining the patches are oversewn with blue featherstitch embroidery, and the quilt is backed with printed cotton." [PHM] There is no padding.
1480...
1480...
History:
"The maker is unknown but is probably a woman from northern Lancashire. She was about 80 when she made the quilt and gave it to Annie Dixon, who lived in the same area, sometime before 1920. This was said to be her last quilt." [PHM] When Annie died her niece Margaret Juckes inherited the chest and its contents, which were sent to Australia in 1960. The Powerhouse Museum bought the quilt in 1989.
Story:
"The quilt was once owned by Annie Elizabeth Dixon, who was born in 1880 and died in 1959/60. She spent her early years at Aynsome Farm (or Mill) near Cartnel in Northern Lancashire, then moved to nearby Kent's Bank. Annie migrated to Canada in 1920, leaving the quilt in England in a chest of things belonging to her. When Annie died her neice Margaret Juckes inherited the chest and its contents, which were sent to Australia in 1960��.." [PHM]
Related Quilts:
Patchwork quilt made up of 100mm multi coloured squares in a variety of materials including cottons, synthetics, lurex, plain and printed. Each square has dacron padding and is then joined in strips and the strips joined. All hand sewn. The backing is blue synthetic whole cloth 60mm of which is returned to the front to form a border.
1500 x 1200mm
1500 x 1200mm
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm
1580 x 1830mm
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
2439 x 1829mm
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
2415 x 2110mm
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
1740 x 1210mm.