Quilt No.725CK - Christina Kazaglis

Christina Kazaglis
Owner: 
Christina Kazaglis
Location: 
NSW Sydney
Maker
Maker: 
Maria Kazaglis
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Wholecloth quilt with one side blue satin with a red satin border and the reverse side wholecloth floral cotton. The quilting is parallel lines and squares. It is all hand stitched. The padding is raw cotton.
1740 x 1240mm
History: 

The quilt was made in Earlwood, Sydney in 1955 by Maria (Theodorou) Kazaglis for Christina Athanasiadis her furure daughter-in-law. Christina has always owned the quilt.

Story: 

Christina's Quilt
This quilt was made in the 1950s, for young Christina Athanasiadis, by her then future mother-in-law Maria Kazaglis. Maria knew that Christina's 'prika' (dowry) did not include a 'paploma' (quilt), so she bought the blue and red satin, the floral cotton fabric and raw cotton for the padding, and made the paploma, in traditional Greek style, with her sister Despina helping her, in the lounge room of her house in Earlwood. This is where Christina came to live with husband George in 1955 and are still there today.
Christina arrived in Australia at the age of 14, with her mother Irini, sister Eleni and brother George. They came from the ancient Egyptian city of Alexandria. As a young girl, Irini had been sent from her Greek island of Castellorizo to Alexandria, to work as a domestic for the local Greek bishop and his niece. In Alexandria she married Yianni who had come from Cyprus, also to find work. They decided that Australia held better prospects so Yianni came to Australia in 1938, and immediately made arrangements for the family to join him, but WW2 broke out and they had to wait until 1946 to make the journey. During these years, Christina's mother worked hard to find the money to have her children taught some basic English in preparation for coming to Australia.
When Christina and George were to be married - in keeping with the age-old customs of Castellorizo, the house in Earlwood where the quilt was made, was richly decorated with Christina's prika - beautiful embroidery, fine crochet and needlework. The women all brought traditional Greek sweets and sang the island wedding songs handed down through the generations, while the young, single women helped to make and decorate the wedding bed. For young Christina, transplanted from her beloved Alexandria into this distant, different place, it was all quite overwhelming, and she hid herself away 'in the last room of the house'! These days, Christina regrets the passing of these lovely old customs and rituals.
Christina's paploma was well-used in the early years of their marriage, especially when their three children, Maria, Irini and Vassilia (Victoria) were born. Today it serves as a reminder of the complex processes of migration and how deeply they affect the lives of hundreds of thousands of Greek and other Australian women."
[Written by Lula Saunders, adapted from interview 29 March 2000, for the National Quilt Register]

Maria Kazaglis (1885-1964) and Vassili Kazaglis (1870-1936)
Maria Kazaglis (1885-1964) and Vassili Kazaglis (1870-1936)
Christina Kazaglis, 2000
Christina Kazaglis, 2000
The house in Earlwood where the quilt was made, 2000
The house in Earlwood where the quilt was made, 2000

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm
Joyce Wynn
Whole cloth traditional Durham quilt in sateen, pink one side and ivory the other. Elaborately hand quilted. It is padded but the type of padding is unknown. 2030 x 2030mm.
Irene Copping
Durham quilt. Hand quilted with Durham Feather Pink on one side and cream on the other. Cotton material with a slightly sheen cotton used for the quilting. Cotton wool padding.
2440 x 2150mm