Quilt No.424AM - Alys Mercer

Alys Mercer
Owner: 
Alys Mercer
Location: 
QLD South West
Maker
Maker: 
Elizabeth Hart
Made in
AUSTRALIA QLD
Date: 
1921 - 1940
Description: 
This Adelaide Chronicle quilt or bedcover is single thickness white linen with a double thickness wide green border hemstitched in place. The cover is divided into blocks and in each alternate block an Australian bird has been worked in fancywork using stranded cottons.
2019 x 1144mm
History: 

The maker was Elizabeth Hart (born Schunke) 1862-1947 while living on a farm at Yalangor north of Toowoomba. It was made in 1933 and passed by maternal descent to L. Bach and then to Alys Mercer (born Hart) Elizabeth's grand- daughter. It is not used now.

Story: 

"As mentioned, this quilt was entirely hand made. My grand parents had settled here on the Darling Downs in 1902, previously having lived in South Australia. They still had the Adelaide Chronicle sent weekly and this is where my grandmother obtained the wild flower designs, getting a different one each week as they were published. There was no electricity on the farm so this would have been worked with the aid of a kerosene lamp. Daylight hours were certainly not used for such frivolities as fancy work and not a stitch would be sewn on Sunday."
[Barbara Bullock 24.11.97]

The Hart sisters, Barbara, Alys, Lorna,Linley
The Hart sisters, Barbara, Alys, Lorna,Linley

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
The Embroiderers' Guild of S.A.Inc Museum
Yellow and white cotton Durham quilt with centre panel of patchwork blocks in counterchange design called 'Plate'. There is a wide yellow border and square white corner blocks. It is padded and there is a yellow backing. It is quilted all over following the patchwork pattern in the centre panel. Feather pattern border.
2120 x 1720mm
Dulcie Williams
Wholecloth quilt, the cover made of blue and red paisley cotton cretonne, and filled with feathers. The cover is reversible. The machine quilting is a simple pattern of 2 diamonds, one within the other, in the centre, with 3 rows of stitching around the edge of the quilt, forming a wide border.
2033 x 1474mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Denise Frahn
Wholecloth quilt, machine sewn, made from cotton chintz with a pale green background and a floral pattern of bunches of pink roses and blue flowers, reversible. The centre is stitched in a diamond pattern with two outside borders, then filled with feathers, using a broom handle to force the feathers through. Cover made from 36" fabric, the pattern matched exactly. Excellent condition. Feather filling was collected by the makers from backyard poultry, geese, ducks, fowls. Called an eiderdown.
1830 x 1480mm