Quilts

Una Braby
Frame quilt pieced from square, rectangular and triangular pieces from plain and patterned cotton. The central motif of the rooster is appliqued in red cotton on white background with a border of red triangles. There is a white cotton backing.
2000 x 1925mm
National Trust of Australia (NSW)
" Double bed size coverlet made of white cotton 'blue bags' fabric (white cotton squares used to hold a measured amount of blueing agent used to keep linens white during the laundering process). Patches are sewn together in the 'Suffold Puff' style - a circle of fabric is gathered up to make a puff. Patches are joined by a few stitches on four sides. Coverlet is edged with a deep crochet fringe, to a depth of approx. 18cm on all four sides���On lining is written in black ink: 'C.Bleagard Baby Ken'. " [NT NSW]
2570 x 2380mm
Efthimia Toubakaris
Wholecloth quilt of golden brown cotton satin, the reverse side of pink cotton satin. Central quilting pattern of interlaced curves, within 3 rows of parallel stitching, then a border pattern of an interlaced knot design, the edge finished with 2 rows of parallel quilting. Filling of cotton. 2010 x 1920 mm.
2010 x 1920mm
Helen Jarmyn
Patchwork quilt made in the 'Trip Around the World' pattern, from cottons and some fine dress linen, in bright and pastel solids. Each colour is placed in a diamond shape on the quilt. Patches are 10cm square, quilt has 620 squares. The linen was mainly used to work the cross stitch. Quilt has a 2 inch border in black. Backing is sheeting. Each square is embroidered, with many different stitches, in geometric, floral, animal, insect and abstract designs, in different colours.
2760 x 2350mm
N.S.W. Parks and Wildlife Service
Kangaroo skin rug made from 450 x 270mm pieces overstitched together. The backing is a wholecloth plaid in red brought to the front and machine stitched to form a 60mm binding. 1660 x 1400mm
N.S.W. Parks and Wildlife Service
Double sided quilt. One side is different shapes including rectangles in various sizes in wools and men's suiting material. It is hand pieced. The pther side is mainly cottons in florals of different patterns joined in strips of varying width and machine and hand pieced. There is a 25mm binding. The padding is an old blanket.
West Tamar Historical Committee
Wholecloth quilt with both sides of floral cotton. The padding is thought to be hessian bags.
2060 x 1300mm
Mary Robertson
Suffolk puff quilt with each puff approximately 4cm x 4cm. The puffs are small squares rather than the more usual circles. Materials are mainly cottons and satins in a wide variety of colours and patterns. The backing is striped flannelette and is hand stitched to the top.
1660 x 1140mm
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Maria Politis
Wholecloth quilt made of deep cherry red satin with backing of sky blue satin. The padding is cotton wadding. It is hand quilted and the pattern is an all over one of four leafed clovers with a border of crescent shapes within straight parallel lines.
2000 x 1700mm
Rozanne Andrew
Quilt, single bed size, made from reused clothing roughly handstitched on to a backing of a wool/linen blanket type fabric in green, cream and brown stripes. Clothing is fronts and backs of old jumpers, vests etc as well as opened out sleeves in red, brown and grey. They are stitched together in several layers with long stitches. Another top may have been intended to cover the stitched down layers of clothing.
1500 x 1040mm
National Trust of Australia (WA)
Frame quilt of dress cottons, including some glazed cottons. The centre is 4 triangles pieced to make a rectangle. This is surrounded by a plain border, a border of triangles, plain border, triangles border, plain border, border of triangles pieced to form squares, square and triangle border, then rows of squares. The outer border is of glazed floral chintz with a brown background. The backing is cream linen pieced lengthways in 3 sections. There is no padding. It is quilted all over in a large clamshell pattern. The top is covered with netting.
2615 x 2280mm
Arapiles Historical Society Museum
Patchwork quilt, reversible, with log cabin blocks on one side, with central red square in each block. Colours predominantly light greys, browns and pastels, and dark grey and blue. Reverse side is made of squares constructed from 2 triangles, in black, patterned pastels, pale blue and dark red. There is a black border along 2 edges on this side. It is quilted.
2058 x 1829mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
Harden Murrumburrah Historical Society
Patchwork quilt has pieced blocks in the 'Ohio star' pattern in red print and white cotton, alternating with plain white blocks. Quilt has a 9cm frill in red and grey geometric print cotton, machine stitched around the edge. Quilt appears to have some hand quilting. No padding. Backing is white cotton.
2210 x 2060mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
Anastasia Penklis
Traditional hand stitched Greek quilt, the top piece (in Greek a 'Stoffa') is of blue brocade with a gold pattern of roses and leaves. The border and backing are made from gold brocade woven with a daisy pattern (the same material as is in sister Ann Kyranis' quilt). The padding is cotton wool.
2100 x 1740mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
Euroa and District Historical Society
Handsewn cotton hexagons in a wide variety of patterns. Centre oval of hexagons with 2 outer rings. There is no padding and the backing is white cotton.
2490 x 2200mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm

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