Quilt No.111MH - Muriel Hartmann

Muriel Hartmann
Owner: 
Muriel Hartmann
Location: 
QLD South West
Maker
Maker: 
Muriel Hartmann
Made in
AUSTRALIA QLDt
Date: 
1941 - 1970
Description: 
Old jute wool pack opened out and joined together selvedge to selvedge. Ends bound with recycled curtain material.
1550 x 1321mm
History: 

This traditional Wagga was made by Muriel Hartmann about 1957. It was made at "Burradoo" south of Goondiwindi, Queensland and is still owned by the maker. It was made for warmth and is still used occasionally as an under blanket.

Story: 

"With the wool pack Wagga I may not have used two side pieces. One piece formed the top and side and the other piece side and bottom. The two pieces stitched together and the ends bound with coloured material to stop the ends unraveling. I think that's how it went. We could not afford to buy blankets. At the time my husband worked for a sheep farmer in northern N.S.W and we had 3 small children and it got very cold in the winter then. The frost hung in icicles off the fences and off the cows noses, the wind was very cold blowing through the house. I used wheat bags opened up under the mattress with newspaper to keep the cold air from coming up and the Waggas on top. Some of the old army blankets I used for Waggas belonged to my great uncle Ben Stephens who had come out to Australia as a teenager from England. He worked on properties , living in old huts, fencing and so forth.
My mother in law could not afford new blankets and was a very thrifty person and made do with what she could and made the rugs out of old jumpers cut up and crocheted around with wool unpicked from other old jumpers. Some she had picked up from the town dump. Some were jumpers she had knitted for her grand children and had shrunk as well as growing out of them. I had given them back to her for the rugs. I think the last one she made and the one I have were made about 1975. She had made Waggas with bags and blankets too.
My Mother did too as during the war and with coupon rationing she had to make do with what she could. She made all our underclothes from white flour bags boiled up to get the name off the bags. Mum made all her own bread so she had plenty of bags.
My great aunty Adelaide did too and made us children strip corn husks to make mattresses. They made plenty of noise when one turned over on them. The old saying hard work never killed anyone as my aunt lived well into her nineties, nearly made 100 and so did her sister. They lived on the land working dairy farms through two world wars and the depression.
P.S. I did not use the Wagga to cover up plants from the frost this winter, have packed it away."
[Muriel Hartmann 1997]

Muriel Hartmann with Wagga
Muriel Hartmann with Wagga

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Tasmanian Museum and Art Gallery
Wholecloth cot quilt, reversible, both sides pale pink rayon printed with small bunches of pink roses, blue flowers and green leaves. Outside edge is machine sewn except for opening for filling which is slip stitched. Quilted by hand with large stitches in pink thread along width and length of quilt. The padding is wool.
815 x 570mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
The Embroiderers' Guild of S.A.Inc Museum
This Adelaide Chronicle wildflower quilt has alternating squares of green and fawn headcloth embroidered with Australian wildflowers on the fawn squares and stylised floral motifs on the green squares. It is bordered and backed with the same green material. It is padded.
2350 x 1530mm
Sam Genovese
Wholecloth quilt, bright crimson cotton. Hand quilting is in thick cotton with a medallion design in the centre, vases of flowers in each corner, and some cross hatching. Padding is thick flock, possibly compacted fabrics, and backing is yellow cotton. 2250 x 1930 mm.